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ESTATE MANAGEMENT

EVALUATION OF FASHION HOUSE BUILDING

EVALUATION OF FASHION HOUSE BUILDING

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EVALUATION OF FASHION HOUSE BUILDING

ABSTRACT

The purpose of this research was to assess the Uga Microfinance Bank in Aguata L.G.A, Anambra State. Three research questions were developed and put to the test. The special goals of Microfinance Bank are to select a centralised location, comfortable spaces, and appropriate design. The questionnaire method was used to get the results, which were extensively analysed.

The population is 364 people, and a random sampling procedure was employed to obtain a sample size of 36, which represents 10% of the population, of which 35 were returned. According to the data gathered, there is a need for another location, functional spaces, and a redesign of Uga Microfinance Bank.

 

CHAPITRE ONE

INTRODUCTION

1.1 BACKGROUND OF THE STUDY

The origins of microfinance may be traced back to the mid-nineteenth century, when theorist Lysander Spooner wrote on the benefits of small loans to businesses and farmers as a means of lifting people out of poverty. However, it was not until the end of World War II, with the Marshall Plan, that the concept gained traction.

The term “microfinance” originated in the 1970s, when organisations such as Grameen Bank of Bangladesh, led by microfinance pioneer Mohammad Yunus, began and shaped the current industry of microfinance (Wikipedia 2015).

Microfinance institutions emerged in the United States in the 1980s. They catered to low-income and ethnic communities. By 2007, the United States had 500 microfinance organisations operating with 200 lending capital (Wikipedia 2015).

The first credit union in Africa was created in Northern Ghana by Canadian Catholic missionaries in 1955. Susu, one of Ghana’s microfinance schemes, is considered to have begun in Nigeria and spread to Ghana in the early twentieth century.

Microfinance banking in Nigeria began in 2005, with the introduction of the microfinance policy by former CBN governor Professor Chukwuma Soludo. The programme was influenced by the well recognised impact of microfinance in assisting economically engaged poor people to exit poverty, resulting in significant poverty reduction.

As a result, microfinance banking was implemented with the hope that it would reduce poverty in the country over time (Ngutor Nyor, 2013). Following the 2005 government strategy that resulted in the conversion of community banks to micro finance banks,

many banks in Anambra state were granted provisional approval while others were granted final licence (Chukwuma 2017). As a result of the 2005 policy, Uga community bank was changed to a microfinance bank with provisional approval (Umunne, 2019).

 

1.2 STATEMENT OF THE PROBLEMS

Despite the importance of microfinance banks to the community, both staff and clients have complained about them.

The setting
The design Area

1.3 AIMS AND OBJECTIVES

The purpose of this research is to assess the location, design, and space of the Uga Micro Finance Bank building.

1.4 SIGNIFICANCE OF THE STUDY
This research aims to investigate Nigeria’s current fashion sector, with a focus on Enugu state.

The study will highlight the issues, criteria, prerequisites, and obstacles in the design of a model fashion house. The basic goal of every architect is to organise space, enclose that space, then inspect the confined space for safety, beauty, and stability.

This project is significant in that it provides a realistic or rather possible alternative to the disorganisation, lack of enclosed space, presence of inadequate facilities, and poor design conceptualization that is frequently evident in the design of buildings in the Nigerian fashion sector.

It is envisaged that, as a result of the researcher’s proposal and recommendations, fashion designers, policymakers, and even private developers will take advantage of this opportunity to revise or create in the future fashion homes/houses that meet worldwide standards.

1.5 SCOPE AND LIMITATIONS OF THE STUDY
The fashion Exhibition centre (fashion world) is a commercial centre that will include administrative offices, a Research and Design department, a runway auditorium, an Emporia, a cosmetic store, a beauty drug store,

a photo shop, modelling agencies, image, makeup, and costume consultancy centre, a fashion exhibition and modelling gallery, a fashion design training centre, a massage/spa, a fitness centre, and a fashion exhibition and modelling gallery.

Unisex salons and hair treatment centres, fashion accessory boutiques, rentable stores, restaurants, restrooms, and conveniences.

Outdoor areas are just as vital as internal spaces, so the landscape must be carefully integrated into the design with the terrain.

1.6 METHODOLOGY OF RESEARCH
The research method to be used entails gathering data from both primary and secondary sources. Personal interviews on general planning concepts will be used as primary sources of information, as will questionnaires (which will be distributed at random to people).

Personal observations, existing material such as textbooks, published and unpublished works in paper print or electronic format, magazines, journals, thesis papers, and so on will be used to create case studies of actual fashion businesses with an emphasis on their planning. For overseas case studies and data collection, the internet will be heavily used.

The information obtained from all sources will be carefully analysed, assessed, and finally harnessed to satisfy specific needs, which will then serve as the foundation for the construction of a Fashion Exhibition centre (fashion world) Enugu.

 

CHAPITRE TWO

REVIEW OF LITERATURE

2.1 FASHION’S HISTORICAL EVOLUTION

(Charles) was the first fashion designer who was more than just a dressmaker.

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